Myth and Fact in TV News Reporting
This month’s issue of Commentary has an excellent article by Nidra Poller titled “Myth, Fact and the al-Dura Affair”. Ms. Poller goes through the development of this story and its evolution from a blood libel against Israeli soldiers, to the more recent washing of the hands by those who first reported and disseminated the footage of little Muhammed ad-Dura’s death.
Poller briefly recounts the event as the world saw it: A father pleading, while he and his young son are shot, ending with young Muhammed ad-Dura in, what Poller aptly describes as a pieta position across his fathers wounded legs, apparently dead.
At the time, we were told that the 55 seconds of footage was the accurate record of the final minute of a fuselage endured by the pair for three-quarters of an hour. Only the boy’s death throws were edited out. So went the narrative of France-2’s reporter, Charles Enderlin, on the film that the state-owned television station distributed royalty-free worldwide.
Only, as it turns out, Enderlin wasn’t there. His Palestinian cameraman told conflicting stories, and finally recanted on important elements after three years. So too with the French television channel’s news department that, at first stonewalled, and then began to back away, until all that was left were those 55 seconds – no substantiation, no 45-minute firing by IDF soldiers, no final death throws.
What is troubling is not the implicit question as to whether Muhammed ad-Dura was really killed that day – a question that has to now be asked as a result of the revelations documented in the article. This has become irrelevant to everyone, save the boy’s family. The image has been fixed in the public mind and the damage to Israel is probably irreversible.
The truly troubling aspect of the piece is what was on the outtakes uncovered by Poller and a variety of other investigators. The ad-Dura shooting was about one minute in its entirety. Much of the several hours of tape, however, contained what Poller describes as obvious acting out of combat scenes by Palestinian police and civilians – complete with faked wounded and dead. And it wasn’t just France-2’s Palestinian stringer who was engaged in this obvious fabrication. His film shows clearly, according to Poller, stringers from other seemingly respectable networks and news agencies doing exactly the same thing.
The shocking thing about this whole case, now fixed in the mind of the public for nearly five years – a case that has certainly had an impact on both private and state relations with Israel and the Palestinians – is that apparently so much of what we see on the news – the very images that create public opinion and influence foreign policy – is based on faked footage. Faked footage, produced by interested parties in conflicts and then, knowingly or naively, disseminated as broadly as possible by the mass media.
This month’s issue of Commentary has an excellent article by Nidra Poller titled “Myth, Fact and the al-Dura Affair”. Ms. Poller goes through the development of this story and its evolution from a blood libel against Israeli soldiers, to the more recent washing of the hands by those who first reported and disseminated the footage of little Muhammed ad-Dura’s death.
Poller briefly recounts the event as the world saw it: A father pleading, while he and his young son are shot, ending with young Muhammed ad-Dura in, what Poller aptly describes as a pieta position across his fathers wounded legs, apparently dead.
At the time, we were told that the 55 seconds of footage was the accurate record of the final minute of a fuselage endured by the pair for three-quarters of an hour. Only the boy’s death throws were edited out. So went the narrative of France-2’s reporter, Charles Enderlin, on the film that the state-owned television station distributed royalty-free worldwide.
Only, as it turns out, Enderlin wasn’t there. His Palestinian cameraman told conflicting stories, and finally recanted on important elements after three years. So too with the French television channel’s news department that, at first stonewalled, and then began to back away, until all that was left were those 55 seconds – no substantiation, no 45-minute firing by IDF soldiers, no final death throws.
What is troubling is not the implicit question as to whether Muhammed ad-Dura was really killed that day – a question that has to now be asked as a result of the revelations documented in the article. This has become irrelevant to everyone, save the boy’s family. The image has been fixed in the public mind and the damage to Israel is probably irreversible.
The truly troubling aspect of the piece is what was on the outtakes uncovered by Poller and a variety of other investigators. The ad-Dura shooting was about one minute in its entirety. Much of the several hours of tape, however, contained what Poller describes as obvious acting out of combat scenes by Palestinian police and civilians – complete with faked wounded and dead. And it wasn’t just France-2’s Palestinian stringer who was engaged in this obvious fabrication. His film shows clearly, according to Poller, stringers from other seemingly respectable networks and news agencies doing exactly the same thing.
The shocking thing about this whole case, now fixed in the mind of the public for nearly five years – a case that has certainly had an impact on both private and state relations with Israel and the Palestinians – is that apparently so much of what we see on the news – the very images that create public opinion and influence foreign policy – is based on faked footage. Faked footage, produced by interested parties in conflicts and then, knowingly or naively, disseminated as broadly as possible by the mass media.